1. My trip to the UK. Though it was not the best nor the most memorable, I finally visited Potterland of which I thought was impossible.
2. My novel, The Slave Prince, finally hitting bookstores after the arduous hours spent on fundraising and editing.
3. My 3/4 page feature in The Sun newspaper. Who knew I would be given that much print space? Certainly not me!
4. My whole CLEO experience—from the photoshoot to the luncheon—that pushed me into the most awkward social situations, which have now made me a little bolder and more willing to say ‘yes’ to social events.
5. The many times I’ve stepped out of my comfort zone, agreeing to ‘things’ I never thought I would agree to, to push my limitations both in my personal and work life. I accepted so many challenges this 2018.
6. Learning a lot from my day job that has helped me to map my personal plans for the future. I never knew I could take such a route on my authoring journey. I never knew I would be so fond of the words, ‘business’ and ‘consultant’. Simply being willing to learn has helped me to see the endless possibilities standing before me.
7. A life plan for 2019 and beyond that doesn’t just involve writing novels but has a more meaningful purpose. Finally, there’s more to do! And I cannot wait to share it with you. So be sure to keep an eye out for the upcoming posts!
8. My friends, especially the (unlikely) people who are so supportive of my plans and have offered a hand to help me make it happen. And my family, for still being a close unit—still going on family trips and spending Sundays together. Hopefully, next year won’t be that much different.
After all that has happened and that is to come, I have a feeling 2019 is going to be an amazing year. 2018 is just the start of my novel, and like all epic adventures out there…. it’s about to get exciting!
Is there anything in your 2018 that you’re grateful for? Make a list!
This story begins in 1999. You might be wondering if I got the year right, and chances are, I might be a year off. But let’s just assume it was indeed 1999.
At that age, I had a classmate who was a great storyteller. Her tales were so unbelievably far-fetched, yet oddly I bought every one of them. And because she often sparked my imagination—like how she attained a publishing deal as a nine-year-old—I started creating stories of my own. It began with the haunted Barbie doll that sat on a black dustbin near the library. God knows how many tall tales I concocted about the doll—a doll which strangely no teacher seemed to care enough to get rid of. There was also that haunted storeroom, in the classroom at the end of the top most hallway, with existing horror stories that I added to. Random question: why is everything haunted as a child?
10 points to Gryffindor if you can spot me!
In 2001, I moved to a different city and enrolled in a new school. This was when I took my storytelling up a notch with a group of friends. It was during that season that Charmed became my obsession—what can I say, magic has always been a fascination of mine. So during recess, my friends and I role-played as the Charmed Ones. I was Piper. I had a Leo. My friend who was Phoebe had a Cole. All these names would sound foreign if you have never seen the original Charmed series. But if you know what I’m talking about, you can safely assume we were big fans for having our own Book of Shadows.
A couple of years later, I started secondary school. Role-playing had moved from play-pretend to internet forums. It was in secondary school that I had access to the Harry Potter books, and thus began the sleepless nights and eager evenings to continue a story I was writing with five other Potterheads. And because role-playing was no longer expressed physically, I didn’t just write stories online, I started concocting tales before bed too. In the privacy of my bedroom, I imagined going on adventures with Harry and the gang. I even vocalised the dialogue. It sounds insane but trust me, writing my own stories make me seem more insane—this was just the tip of the iceberg.
However, as I aged up, I gradually stopped with the crazy imaginations… because honestly, it felt crazy to me too. So instead of feeding my imagination before bed, I turned to writing. I wasn’t very good. And people knew that—they were aware I wasn’t the best at stringing words together. I didn’t win a single writing contest. And on two accounts, someone close to me said I wasn’t going to make it—that I should quit because I wasn’t going to be good enough and that I was talent-less. If you’ve had someone close to you put fire to your dreams, you probably know how it felt. Did I believe them? No. Did their words hurt? Yes, so very much. But I was determined to succeed. And so I chose to use my imagination instead.
Imagination is a superpower. And with great power comes great responsibility. Just like any other superpower, you can use it for both good and evil. You can choose to imagine the worst, where you feed your doubts and crush your dreams. Or… you can choose to imagine an epic adventure where you ultimately become the hero of your story. When such a power is in your hands, the choice on what to do with it is entirely yours. And, I chose to keep my dream alive.
These days, I don’t use my imagination in the same way as I did growing up. As an adult, I channel my flights of fantasy into novels and the positive what if’s into reality. I imagine what could be with a dash of hope in the impossible. Of course, I am not completely free from the monsters of my imagination. But just like in any story, no matter how many times a villain rears its ugly head, it never wins. So if you’re an imagineer like me, start using your imagination in a way that will propel you on your own journey. And if you think you don’t have this gift of imagination, take a look at your childhood—screen through those years where you were free from reality. I honestly believe that the spark is still there, and all it needs is for you to reignite it… again.
Perseverance is a skill as much as it is a personality trait. And by personality trait, I believe it is developed through circumstances and experiences in life. You’re not born with it—babies don’t enter the world with a determination to succeed. So, not having perseverance now doesn’t mean you cannot master it. You can develop a skill in pursuing relentlessly. And, you don’t have to wish yourself bankrupt. You most certainly don’t have to jump into a dark hole of grief and regret. You can build this skill in your day-to-day life with one simple principle.
All you have to do… is stop comparing. Stop making success a competition. Stop trying to outdo someone else. Stop hoping for another person’s story, expecting yours to be exactly the same. Stop trying to live someone else’s life.
How often do we question our gift and skill because someone else seems to be doing better? How often do we contemplate giving up because someone else has become more successful? How often do we place ourselves in a box because that is what someone else is doing?
If you want to win your race, you have to focus on the track ahead. The moment the whistle blows, your purpose isn’t to triumph over the people around you but to cross the finish line. It isn’t about earning someone else’s medal, but accomplishing what you’ve set out to do. So yes, maybe it will take a little longer—maybe you won’t be an overnight success. But if you set your eyes on the finish line—when you stop turning your head to look around, in fear of those catching up—you’ll find yourself undistracted. Your goal, purpose, and dream will fuel you, and you’ll find the determination to succeed.
You see, our life is like a book. We are the protagonists of our own stories. We have our own obstacles, villains, and victories. Now imagine if we crafted our stories following a template, hoping to imitate someone else—will doing so make our story interesting? Can we call that story our own? Is it a story we can be proud of? What will happen if all the books in the world have the same length, the same plot, and the same characters? Will we be reading cliches or hearing uniquely individualistic tales?
We were not meant to follow a template. Our stories aren’t meant to be the same. We are not clones and neither are our adventures. So why then are we trying to copy someone else’s journey? Why do we seek the same plotline and strive for the same chapters? Our stories are different and it’s time to embrace it. Let’s accept that some of us will have standalone novels, others might have trilogies, and many will run the course of a 7-book long series. Let’s be prepared for our own hero’s journey, with our own dragon to slay and our own original ending. Let’s not compete with other tales but be inspired by them. We can share the same goals and have the same desires, but let’s all write a story that is uniquely ours.
Recently, I’ve been asked this particular question by almost everyone I meet, “What’s next? Are you writing another book?” So to answer everyone else, who may have this question in mind, I thought to share my response here.
The next, after The Slave Prince, is the Raindrops trilogy.
Or, at least, I hope it remains as a trilogy and not become a series. Why? Because trilogies and series aren’t really my thing. I’ve discovered, through writing Book 2, that writing a trilogy is quite a challenge for me. As Book 1 was completed–sent to beta readers–in April 2016, a handful of story facts have gotten lost in time. I’ve misspelled some of the not-so-important character names, I’ve confused certain plot lines, and… I’ve forgotten how some of the places actually looked like. I had to reread Book 1 before writing Book 2. And yet, even after doing so, I’m still making mistakes!
When I think about it, a trilogy is just a really long book. It shouldn’t be too difficult to remember what I, myself, have concocted. Alas, I’m better suited writing standalones of 60k to 70k words–my sweet spot. And funnily enough, I’ve only just learned this fun fact about myself. However, I am going to complete this trilogy. With Book 1 done, how can I not write Book 2? It would be silly to stop a story when I’m this far in. I just have to tough it out and get it done–you have no idea how many times I’ve coaxed myself to keep going. Why did I even think writing a trilogy was a good idea? This writer, right here, had no idea what she had gotten herself into.
With that said, I plan to pitch Book 1 to agents once I finish the first draft of Book 2–it should be done by this year despite the turtle pace. I also plan to spend a good amount of time next year rewriting Book 2. Honestly, that is about it with my plans. All I can do as a writer is to keep writing–to keep running the race. I don’t know what will happen along the way. I might not find a publisher even after I’ve completed the entire trilogy. Or, I may land a publishing deal next year. Anything or nothing can happen. But, I do know what’s next.
For me, it will always be the next word, the next sentence, the next chapter, and the next book. It’ll always be one story after another. Despite how tiring it may be or how unmotivated I sometimes feel, I’ll keep writing. Stopping midway in this journey is, and never will be, an option.
PS, if you’re curious what Raindrops Book 1 is about, let’s just say it follows the tale of a teenage king in search of his father who many believe to be dead. With the magic in raindrops, this youthful king leaves home to travel to other realms. From the hazardous trip behind enemy lines to the festive East Asian-esque Meihua; from the kingdom hovering above the clouds to the military-driven Bevattna; from the heterogeneous society of a tunneled realm to his duel with the heir of Tentazoa, every step in his adventure uncovers a gem of his past, present, and future. And in one foresight, this young king learns the daunting fate of his own realm. That… is all I can say. Hopefully, you’ll get to read this book one day.
I scrolled through my blog recently and realised that I don’t share enough personal stories. I do address certain topics based on experience, but nothing from, ‘hey, I was once an annoying kid,’ to, ‘wow, I said the cringiest things on Facebook.’ So today, I thought, let me share a #truestory.
This story begins in 2005. It was during those formative years in secondary school that I began exploring other forms of writing aside from short stories. I would write scripts for my school’s drama competitions, and I would write poetry–a whole lot of poetry. I thought I wasn’t good at short stories because I never won any writing competitions. So, I tried poetry instead. But even then–churning out both story-based and self-reflective pieces–I knew nothing about the rules and the mechanics of this art. I just wrote. And whenever I wrote, I would submit my poems to a local newspaper in hopes of being featured in their Wednesday student column.
Then 2007 rolled around. It was my final year in secondary school and I experienced the loss of two family members in a single week. My maternal grandfather passed away a few days prior to my paternal aunt. I wasn’t close to either of them as I can’t speak mandarin or hokkien–two of the few Chinese dialects in Malaysia. And, I only saw them once a year during Chinese New Year. So the loss was a strange kind of loss. I was sad–I cried when I heard about my grandfather, while I was unexpectedly called out from school–but… I didn’t know why.
At their funerals, of which I had to travel from one state to another just a few days apart, I wrote two poems. I used to carry a notebook around for when inspiration strikes, and conveniently, I had my notebook with me that week. Of course, I wouldn’t say their deaths were ‘inspiring’, but it led me to writing a piece titled, ‘Death’ and a piece titled, ‘If’. They were rather morbid pieces if I could say so myself. But it seems… I write better when in unpredictable and uncomfortable situations.
Shortly after those events, I returned to school and my carefree teenage life. Since I had two new poems, I submitted both of them to the same local newspaper. I didn’t expect anything, but twice, my friends hollered at me–after having flipped through their daily newspapers. They came into class saying, “Jeyna, you’re in the newspaper!” You see, my school allowed students a paid subscription to the daily newspaper. These students would receive their copies every morning. I wasn’t one of these students–my dad would buy the newspaper himself–and thus, I had no idea if my work was published. I had to be told, and on both occasions, the announcement from my friends and teachers were awesome surprises. Alas, it only happened twice. There was no third time, despite the dozens of poems I submitted.
Eleven years later, on May 30th 2018–coincidentally a Wednesday–I received a Facebook message from a friend with a snapshot of a different, but also local, newspaper. I knew I did an email interview. I even chose a handful of pictures to send to the journalist. But, I had no idea when the piece would be out. Being Facebook message–oh, how technology has advanced–brought back that same feeling when I discovered I was featured in 2007. This time however, almost a decade later, it wasn’t just my name. It was an almost full-page spread with my picture. Eleven years later… “Jeyna, you’re in the newspaper!”
If you’ve actually made it this far into my story, or if you follow me on Facebook and Twitter and have seen my status update itself, you might have noticed something. It took me eleven years. Eleven… long… years. Not one year, not three years, not even five years to be somewhat recognised, but eleven years. And I say ‘somewhat recognised’ because it’s only the first step. It’s a small accomplishment in comparison to the dream of having my book made into a movie. But, it’s a success nonetheless–one worth celebrating, just like the time my poems were published.
Now, if you don’t mind me asking, how many of you have been at your craft for almost a decade? If you raised your hand, let me applaud you for your tenacity and passion. Perhaps it’ll take you longer to see the fruits of your labour, but you will see it one day. You already have the drive to keep going and you shouldn’t stop. Don’t waste the years of blood, sweat, and tears. It is all worth it. Your dream is worth it. Your passion is worth it. Your story is worth it.
On the flip side, how many of you have been at your craft for less than a decade? If you’re thinking of giving up, don’t you dare! I cannot say you will achieve something in eleven years, but you shouldn’t give up just because ‘nothing’ is happening. Something is always happening when you invest in your talent. The only ‘nothing’, I dare say, is that ‘nothing’ is impossible. It might take you eleven years–it might even take you more, or perhaps less than eleven years–but nothing is impossible. Every step you take toward your dream is the first step toward something big. It’s just the start! And just like those of us, who have been chasing after the stars for many years, your dream, passion, and story are worth it–every muddy road, narrow trail, and arduous climb. After all, every path you take will eventually lead you somewhere.
This is a true story. This is my story. But this can be your story, too.
Thom was raised in a royal household. His parents were the King and Queen of Alpenwhist. For the first fifteen years of his life, Thom had everything he needed. He was granted most of what he wanted. And, he lacked (almost) nothing. He lived as a prince in a grand royal palace. He rode only stallions and dueled with the finest blades. He studied with the best scholars and ate from plates of gold. That was the life of a prince. And as a prince, he did his royal duties and acted princely whenever he made a public appearance. It was second nature to him–being a prince was all Thom knew… until he wasn’t.
Who is Thom? Is he a prince or is he not? Does he have royal blood or is he just an impostor? Who is Thom, really? Thom… is us.
He’s us when we question our identities, when we’ve lost sight of who we are, and when we have no confidence in our abilities. He’s us when we’re unsure of our decisions, when we’re afraid of the future, and when we can’t find a name to call ourselves. He’s us beyond the princely vest, farm boy hat, and beggar cloak. He’s us in, perhaps, a few phases of our lives, when we’re discouraged, doubtful, and hesitant. There’s a Thom in every one of us, and there’s us in the Thom from Alpenwhist.
Though his adventure may be different from ours, what he goes through isn’t foreign. He may not be from this world, but his emotions are reflective of our own. Thom is not a stranger nor is he a friend, but he is certainly someone we know.
Who is Thom? The better question would be, who are we?
As The Slave Prince hits bookshelves next Tuesday, I hope many of you are able to answer that question. I hope you know who you are, what your passion is, and how you want to live your life. But if you don’t know who you are, don’t lose hope. If Thom can discover his identity in such a confusing and troubling time of his life, so can you. He isn’t just a work of fiction–he’s hope that all of us, no matter where we come from and what we’re going through, have a name. We have a name not coined or dictated by others, but a name that truly reflects our inmost being even in the darkest of times. We have an identity we can be proud of–an identity uniquely our own. And when we truly find ourselves, we won’t lose sight again.
Let’s find ourselves, stay true to who we are, and face the unknowns in life unafraid and unashamed. Let’s be the heroes of our own stories, as it is… after all… our birthright.
Can you believe it? It has been over five years since we started—five years of telling and retelling, imagining and re-imagining—and in a little over a month’s time, your story will finally be released to the world. It took us a while, huh? Time sure flies. You’re even an adult now, and boy do we need to catch up!
So, how’s life in Daysprings? Is Daysprings still the warm and welcoming village I last remembered it to be? How’s Haratio and the girls? Tiger is all grown-up now—is she more like Seanna or Catry? How are the Eklaysians? Oh, and do you still write to Mika? Did you manage to find out who his uncle is? Even though we worked on the book last year, we never really talked about these things. I didn’t even ask about your love life! Yes, I should know. And if you don’t intend to tell me, I’ll just ask her instead. But, all these surface questions aside, how are you… really?
I’m fine—if you’re curious about me. Life in my world isn’t as magical or as adventurous as yours. I have a pretty interesting day job, which can get rather busy at times. As it eats most of my creativity, I’ve not spoken to Robb in months—he seems to be OK with that. I do plan to write the second installment of his story this year though—after your story reaches the masses. And that will be soon… very soon. Wow, isn’t that a little nerve-wrecking?
Honestly, I’m kind of nervous about what people will say about the work we’ve created. So far, the early reviewers have been kind. But… it seems not many are willing to give your tale a shot. It’s unconventional after all. Still, I think we can both agree that the number of books sold isn’t as important as the people who read your story. So let’s just hope that The Slave Prince touches lives instead. That is why we wrote it in the first place, right? And no matter what happens, we’ve done good.
With May 29th around the corner, it saddens me that our journey will soon come to an end. Even though we’ll still be friends, we won’t be seeing much of each other any longer. No more late night conversations. No more coffee breaks. We’ll part ways—recalling our history only when we gaze into a starry night sky. If it is possible, I don’t want us to be like that. But only time will tell if we can continue to work on your story. And until the unknown future comes to past, I wish you all the best in life.
May you go on more great adventures, Thom. May magic beckon you to live more heroic tales. May you never forget who you are. And may you always believe in the power within you. You’re a prince, Thom. A true prince—the Majestas Regia will always remind you of your story.
It has been a pleasure, meeting, knowing, and working with you, Thom. Let’s not forget what we’ve created together. And let’s continue to do great things until the very end.
This post has been scheduled in advance, since I’m not around to physically hit publish–as this goes up, I’m likely at my aunt’s place for my yearly family reunion dinner. But wait, isn’t the New Year on January first? Well, yes and no.
If you live in Asia, you might find yourself an extra holiday around January or February. Schools will be on a short break, while most companies close for a few days. After all, it’s the Lunar New Year!
The Lunar New Year is a tradition for East Asians. If you’re not married, you’ll follow your parents back to their hometowns to visit your relatives. You’ll also receive red packets containing money. There’s a reunion dinner, house visitations, and… a lot of sitting around and snacking on festive treats. So, with the excuse of being away, I’ve not written a proper post for today.
For those who’re celebrating the Lunar New Year, I hope you have a great time with your family. For those who’re on holiday because of it, I hope you also have a great time with your family. And for those who wished they had a break but don’t live in Asia, I’ll be back next week with what I hope to be an exciting post (if my schedule goes as plan). So until then, have a great week ahead!
GET SOCIAL WITH ME!
Guess what? I’ll be posting excerpts of The Slave Prince on my Facebook and Twitter timeline leading up to its publication. If you’d like to sample what’s in store, follow me on these two platforms. But… if you’d like to get even more personal, I’m on Instagram! I don’t post much about writing on Instagram but focus more on my other two passions: travel and fitness.
One of the most enjoyable phases, during the production of The Slave Prince, was having two maps cartograph-ed by my author friend, John Robin. Now, if you’re an author, having your fictional world realised on paper is an amazing feeling. It takes the publishing experience to a whole new, fantastical level. It makes your work feel legit, as though it’s ready to play with the big boys! So truly, I am very grateful for the work John has done. And today, I’m giving him the spotlight.
Having worked with him, I believe John can give great insight on world building from a writer/cartographer standpoint. As a writer himself – authoring A Thousand Roads – he is able to approach this facet of ‘creation’ from a unique perspective. So whether you’re a writer, an artist, both, or neither, what he has to say will certainly make an interesting read. But… before we get to the Q&A, let’s take a look at what he has done for the realm of The Slave Prince.
FROM DOODLE TO ART *Click image to enlarge*
Oh, look! My child-like sketch!
John’s first draft based on my doodle.
The quest of naming everything.
John’s second draft, followed by a series of emails…
… that eventually led to the final map!
CHATTING WITH JOHN ROBIN
Me: So John, let’s start with how you begin mapping a universe?
John: This is actually the hardest part for me. I always need a starting point. Usually, when it is my own world, I will begin one map by expanding another, or drawing beyond the boundaries of others where I have been curious about what lay beyond them. I just need a starting point, then my pen tells me where to go.
I find it much easier to draw someone else’s fantasy universe because I can always ask for a sketch. In your case, with The Slave Prince, the two sketches you provided me were excellent because I was able to begin translating your vision into something produced by my own hand.
Me: Do you incorporate your own imagination into the maps?
John: Absolutely. Most of the flourishes that end up in the final map are discoveries that happen in the process of doing. For instance, the forest south of Alpenwhist on the kingdom map wasn’t in the plan, but our work developing the world map beforehand reminded me there are woods south of Alpenwhist. So, I drew the woods. I didn’t expect there to be so many details in the forest, but the process of drawing revealed surprises, as it always does for me when trees are involved.
I cannot explain how this happens. It’s a bit like writing a book I suppose: one might see many plot points, but there are the surprises that come a few paragraphs from when you write them, and they radically change the story. Aragorn in Lord of the Rings was a character like this, apparently – just walked into the story, but what an important player to the whole trilogy! This is much like how I’d describe my imagination at play when I draw a map. Be it my universe or someone else’s, the map is a drawing and it has a life and a story, much like a book. The lines are the storytellers, and I am their obedient scribe.
Me: What do you find challenging in each project?
John: The hardest part for me is usually the final touches, especially the labeling. I prefer to write my own labels in a styled script by hand, but as I learned in our work together, these don’t translate well in a smaller map on page. I learned a lot about incorporating fonts and spaces in Photoshop after the drawing was complete. However, I do want to develop my own fonts based on my handwritten letters for future. It was liberating working on the second map (Alpenwhist kingdom map) knowing I could draw it without placing any labels. In the case of the world map, which I drew first, I wrote in all the labels by hand, then had to meticulously erase every one to replace them with a font. The advantage of this was that the space for the label was created. What this taught me was to leave space for labels on future maps, and hopefully begin my own carefully crafted letters for future use.
Me: What do you enjoy about cartography?
John: Drawing a map tells me the story of a world. Seeing how mountains span, rivers bend, forests arise, coast lines bend and shape, lakes appear on empty page, islands dot the seas – all these things tell me a story. Not just in the shapes. Often I will see a stand of trees and know it has an important history or should have a name. Or, I will label a territory and the story behind it comes to mind just in how the name sounds once I write it down. Drawing maps is what, for me, makes a fantasy world feel truly alive. In fact, when I go to the fantasy section and look for new fantasy books, it’s the maps that I turn to right away and tell me whether I want to enter this new world or not. It was, after all, the map of Wilderland in The Hobbit, on my grandmother’s bookshelf, that I would flip to many nights before I knew how to read, that eventually pulled me to fantasy and my own map-making.
Me: Does cartography help you in your own writing endeavours?
John: Yes! There is a storytelling that augments the narrative form I experience when writing. It sharpens world-building in ways that listing details alone would not do. In a way, drawing a map is a third level of engaging with a fantasy world beyond writing and world-building. A bit like M.C. Escher’s drawing hands, one feeds the other, and the other feeds it, and it circles on and on into deeper levels of imagination.
What did I say – it takes someone who can channel both of his amazing gifts to be able to build worlds from a unique perspective. I’ve found myself trusting John in the decisions he has made for my world and I have no regrets. Thanks again John, for playing such an important role in the production of The Slave Prince! You the man!
I hope this post has given you some insight on cartography and how it can build a fantasy world. I’ve learned a lot from working with John, and I’ve learned some more just from this ‘interview’. If you’d like to know more about John and his works, take a peek below! I’ve included some extras for those who’d like to give this man and his talent a chance.
Release Date: October 31, 2018 (eBook) / January 19, 2019 (Paperback) Genre: Dark epic fantasy
Azzadul, the god-king, the Lord of Light revered by many. When the darkness corrupted him, he became the Dark Lord, feared the world over. His magic, once a gateway to immortality for his people, delved instead into horrors as he sought ever deeper levels of mastery. Children were stolen from their beds, coveted for his blood-rites. When he vanished, it all ended, and the people of the world tried to forget, to move on…
Jak Fuller has always wanted a home. An orphan born ten years after Azzadul’s disappearance, he has wandered far and wide, trying to forget the memory of a burning woman. When he comes to Fort Lasthall, on the outskirts of the Dark Lord’s former kingdom, he hopes to finally settle into a peaceful life. Instead, he finds himself unnaturally compelled by a dark, terrible voice, a voice that knows him, calls to him. A sense of destiny that fills him with fear.
New powers are rising in the dark places of the world. A master of fire-rites called Talamus the Red, arch-foe of Azzadul, seeks to enslave the world with a magic he has been developing for the many centuries of his life. Ready at last, there is only one weakness in his plan, an obstacle he is determined to destroy: a boy, bound to an old magic that just might resurrect the power of Azzadul.
The very power bound to Jak, before he was even born…
This year has been an odd year for me (no pun intended). I’ve learned new things, understood myself better, and grown from daunting and unfamiliar environments. I’ve found myself in transitions, which made the year rather interesting though not entirely eventful. And though I can’t say it has been the best year of my life, I wouldn’t call it dull. So… if I could sum 2017 in two words, it would be, ‘oddly awesome’.
How has 2017 been for you? I’ve come to realise that how our year has been is determined by how we perceive it. It is how we choose to sum it that excites us for the new year. If I’m being honest, most of my 2017 has been ‘awkward’ and ‘uncomfortable’. But, closing the year with those two words doesn’t thrill me for 2018 – oddly, ‘oddly awesome’ does.
So, with 2017 wrapping up, I challenge you to find something positive about the year. It may have been dark and gloomy, but seek out the light and celebrate it. After all, it’s always better to end the year on a high note – hoping for a better year to come.
Now, as the year comes to a close, I have a few awesome announcements to make regarding The Slave Prince.
First, the book has (almost) completed copy editing! Cover design is next and I cannot wait for it to begin. It’s the best part of book production – seeing a new, fancy cover that would soon sit on bookshelves. I’m excited!
Second, the book has a release date! May 29, 2018. Coincidentally, it’s one day before my mum’s birthday. So it’s going to be a celebratory week!
Third, feast your eyes on the map below. This world map was made by John Robin, my super author friend with undeniable talent. And if you think revealing the map is a #spoiler, it isn’t. Because… it’s not the only map in the book! There’ll be a kingdom map too!
With three awesome announcements to end 2017, I definitely have a lot to be thankful about this year. Even though it took some time – waiting for the book to start production – I’m so thankful that things are falling into place. I’m thankful for all who supported my book last year, and have been patiently waiting for its publication. I’m thankful for the team at Inkshares, who’re helping me better the book in every aspect. And I’m thankful for everyone who has continued to encourage me (including you), with a desire to see my book and my writing become a success. Indeed, it has been an oddly awesome 2017.
Looking forward, I believe 2018 is going to be a good year. No matter what happens – whether I find success or don’t – it’s still going to be better than 2017. And I hope… it will be the same for you too – just clutch that light and don’t let go, as you step into a new adventure.