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What (The Heck) Is Developmental Editing?

“What does developmental editing entail?”

Perhaps you’ve once asked this question. If not, you’re now probably wondering what it is. So to answer, allow me to share my most recent experience with you.

First and foremost, I’m certain dev editing varies from book to book. However, the approach taken by a dev editor is the same. And from the perspective of The Slave Prince, I’m sure you’ll grasps its function. Let’s get to it!

My dev editor goes by the name of Matt. Matt took two weeks to read my manuscript. After which, he sent me a developmental letter alongside comments on my manuscript. The comments were secondary to the letter, but both addressed key issues in my book. What were they?

#1 Descriptions

Matt told me my novel was sorely lacking in descriptions. And here I thought, I did a pretty decent job! I was wrong. Before my latest rewrite, I failed to picture the named ships. I fell short on the kingdom and palace layouts. I also didn’t establish racial differences, facial features, and physical changes over a 3-year time jump, for my characters. With dev editing, this issue was brought to light. And out of the 6000 words of new material, a chunk went to descriptions.

#2 Characters

When it came to the characters, Matt said their needs and wants weren’t clearly established. I had to reevaluate my protagonist, antagonist, and supporting characters. I needed to make it clear in writing – establishing their former desires and the changes that occur. And through this process, I made a major shift in my protagonist’s behaviour. Clear on his goals, he’s now more human than before.

#3 Plot

Matt asserted that one of the key subplots in the book made my protagonist unlikeable. He then suggested an alternative, saving Thom from the hate he would possibly receive from readers. As I struggled with this particular subplot in my earlier edits – somehow knowing it would ruin the book – I’m grateful Matt saw a way to change it without altering it completely. What I once couldn’t resolve, has now found a resolution – what a relief!

#4 Magic

Talk about cliche, Matt stated that the appearance of magic in The Slave Prince was over done. The white tree in a snowy cave reminded him of A Song of Ice and Fire and Lord of the Rings. He advised me to change the entire scene. And, after much re-imagining, I did. The white tree, rooted in snow, no longer exists in the book – a new, more awesome scene, has taken its place. But don’t worry, this post contains #nospoilers.

#5 Language

Both in dialogue and prose, Matt pointed out that the language I used was sometimes anachronistic. To align the writing to a medieval setting, I was told to remove modern day phrases and words. Idioms such as ‘throwing in the towel’ and words like ‘awkward’ didn’t belong. And so backspaced I went… on all of them.

So, what does developmental editing entail?

I hope these five points helped you understand the fundamentals. Of course, what you’ve just read is merely surface level – what I can share without spoiling the story. There was more in Matt’s dev letter, including additional suggestions on how to add value to the book. And aside from his comments, Matt also worked with me on a rewrite outline to address the present issues. It’s safe to say, developmental editing made The Slave Prince a denser book – it helped build three-dimensional characters, and establish a richer and fuller world.

The next question you’d probably ask is if developmental editing is worth undergoing. Well, if you have a publisher, it’s usually a part of the publishing deal. If you don’t, and are on a tight budget, candid beta readers can sometimes act as dev editors. But if you have the funds, getting a professional dev editor is advisable. You might need to spend 56 hours rewriting – like I did – but you’ll end up with a better book.

Do note, that approaching any form of editing requires a realisation that editors exist to help you. You may be offended by their claims – it’s normal, your book is your baby – but know that their honesty will make it better. And hey, if you don’t like their suggestions, it’s fine! You don’t have to incorporate their ideas – dev editors cannot force you to do anything. But sleeping on their words will definitely help. After all, it’s their job to see things you cannot see and work toward fixing them.

With all that said, I’m excited for my next stage of editing. Matt is currently reading my rewrite. And if he thinks I’ve tackled the issues well, The Slave Prince will enter copy editing! Having gone through copy editing before, with The Battle for Oz, I know what to expect. One can only hope I’ve improved in skill that will result in a swift pass.

Now, to plug my book! If this post has piqued your curiosity, click HERE to learn more about The Slave Prince. Then, consider joining over 300 other readers as they become the first to receive the book before it hits the shelves! That would make you so very cool… in my starry dreamer eyes.

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Posted by on September 14, 2017 in Writing Journey

 

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Two Weeks, No Post?

For those who’ve been following me for a while, you know I don’t skip posting unless I’m on vacation. Hence, my absence is pretty unnatural. And unfortunately, if you read my recent post on my book, it’s due to a broken promise. I said I’d still be posting while I worked on my novel. However, while I rewrote The Slave Prince, I realised my attention couldn’t be directed elsewhere. So, I’m sorry.

As I’m transitioning to a new day job, I needed to complete my book rewrite before September began. My rewrite outline was confirmed on the 23rd of August. That meant, I didn’t have much time before September rolled around. So I wrote, every single day. I spent a total of 56 hours rewriting my novel, adding close to 6,000 words of new material. And, I’m still not done. Yesterday, I sent my rewritten manuscript to Inkshares. If there are no issues with the book, it’ll enter copy editing. But, if there are cracks I failed to notice during my rewrite, I’ll have to revisit the manuscript. Hopefully, it isn’t the latter.

Now that the workload isn’t as arduous, I hope to start posting again. I plan to share my experience on developmental editing next week, as it has been a pretty interesting process. Of course, once The Slave Prince enters copy editing, I’ll be sharing that experience too. And, on top of that, the book will come with a kingdom and realm map. I’m looking forward to see my world charted, and would share that whole process as well. But for today, I’d appreciate if you accept this post as a post. Forgive me for not sharing anything substantial for three weeks. Trust me, I tried. But when your book calls for you, alike a needy toddler, you have little choice but to attend to it.

With that said, if you’re new to my blog, thank you for hopping on board – I was surprised to find new subscriber emails in my inbox! Rest assured, my truancy isn’t habitual. It’s just writing season. And with readers waiting on The Slave Prince, I’ve got to get it done.

 
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Posted by on September 7, 2017 in Others

 

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The Hate In Art

Recently, I read an article about a young adult novel under fire by the YA twitter community. Influencers claimed the pre-released book was racist. They questioned the publisher for publishing it. Members of the campaign advised their followers to stay clear of it. And whatever good reviews it previously received… well, those were buried under a 1-star average rating on Goodreads. But, while I scrolled through the article – it was really long, so I skimped through – I found myself frowning. I frowned not because the book was supposedly racist – I frowned because I felt for the author. And after I wondered how she faced the criticism without breaking down, I feared… for myself. Reminded that this world is unafraid to voice its opinions – most of the time in a brutal manner – I was anxious.

Yes, we know not everyone will love our work. There’ll be haters. Many will bash the good out of our art. Some will even take it personally and attack us as creators. It’s a scary world we live in. And as much as we wish for harmony, kindness, and our faith in humanity to be restored, the reality stirs warranted anxiety. It’s something we, unfortunately, cannot avoid. So, I guess now’s the perfect time to say, we can change the world, right? Alas, I can’t say that. Because, we can’t. At least, we can’t change how people chose to respond. We can’t convince others to go easy on us. We can ask, but it doesn’t promise a kinder response. However, there is hope. Because amidst the hate, there is love.

Out of curiosity, I headed to the questionable book’s Goodreads page. There, I found an average 3-star rating. Outside of Goodreads, on Amazon and Barnes & Noble, it had an above 4-star rating. It’s safe to say, the heat it took prior to its launch didn’t burn it to the ground. Now, I’ve not read the book itself nor do I intend to -I’ve long past my teenage years obsessed with supernatural YA novels – but I’m glad. I’m glad for the author. Though the review section alternates between good and bad ratings, the book has its defenders. There are those who saw what some found negative to be positive. There are those who chose to give the author the benefit of the doubt. While I don’t dismiss the bad reviews, because some of them are objective, not all hope is lost for the future of this book.

Using this book as a case study, I realised how fleeting events are. No matter the intensity of a campaign, for or against something, it will come to an end. It has to come to an end. Though some crusades last decades, there’s always a finish line. Just like a ripple, its waves eventually abate. We cannot predict how long it takes, or when the remaining residue evaporates, but we can find rest in knowing it’ll end. And such is the case with hate.

I believe hate has no lasting throne. Despite its countless attempts to crown itself, through events, people, and circumstances, it’ll ultimately be dethroned. So the next time we find hate in a battle to take us down, let’s look at the end. Let’s find love in those who’d stand by us. And let’s not forget, that in time, it’ll be over. Hate may have the power to set us off track – detouring our dreams and destroying our passion – but hate can only do so within its short term. If we stand firm during it’s brief tenure, it’ll lose its power… and we’ll win the war.

 
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Posted by on August 10, 2017 in Writing Journey

 

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A Royal Pain

It’s been awhile since I posted something like this. I assume you have to be famous to write such a post regularly. Alas, I’m not. But no matter the frequency, to be able to write this is a blessing. Hence, here I am – on this rare occasion – to make a public update regarding The Slave Prince. And if you supported the book during the contest, or have pre-ordered it, this will be good news.

As of this month, The Slave Prince starts production. Yes, the ball is rolling! But despite the celebration, I have my work cut out for me. Unlike The Battle for Oz, The Slave Prince is receiving extensive developmental editing. This means I’ll be rewriting and editing the content a whole lot. With the first dev letter being 14 pages long, one can assume there’d be more where it came from. So… I guess it’s time I book a room in Alpenwhist. After all, it would be a while before I leave.

Since it’s just the start of production, I’ve spent the past few days responding to the general issues present in my book. At the same time, I’ve drafted a rewrite outline to be discussed with my dev editor. Also – hoping to get the book in your hands sometime in 2018 – I’m putting the writing of the sequel to my trilogy on hold. I can’t juggle two novels at the same time. But have no fear, my blog will still be here – I’ll be posting as usual.

So with all that said, it looks like everything would be smooth sailing… right? No, I joke.

Writing and producing a book isn’t easy. You probably know this. But often times, we forget. In fact, after I’d completed my countless edits of The Slave Prince, I naively thought I was done. I heaved a sigh of relief. Then, I received my first dev letter. Then, I realised I wasn’t done. And I know, I still won’t be done once I pass developmental editing. Copyediting will include another series of rewrites and edits. It would be another season of change for the book. And when I finally let go of The Slave Prince, it would be publication day. From that day on, I can only hope my hard work pays off.

Don’t get me wrong, I’m not saying all these to deter you from writing. You know me – I’m an advocate of chasing your dreams. My reason for sharing this is to cheer you on. It’s tough – I feel you, bro. But we can do it – we have the strength to trudge through every phase of writing. And, it will all be worth it. Whether our book sells by the millions or the mere hundreds, the act of bringing them into fruition is worth our blood, sweat, and tears. We just need to stay focused and don’t lose heart. With the finish line in sight, let’s give our very best in every leg of the race.

Now, if you’re a reader, I’d like to drop you a message too. I know not all books are great – I’ve read some pretty dreadful ones. But if you could give writers some slack, that would be wonderful. If you could be kind with your reviews, we would appreciate it. I know hard work doesn’t excuse horrible writing. And I know, you have every right to dislike and leave as many 1-star ratings as you deem fit. Personally, I’m fine with that. But, you can also be kind. Go easy on your words and encourage writers to be better. Choose to build dreams instead of tear them down. Because who knows, your 1-star review might just birth the next bestseller.

As I’ve said before, writing is a journey – there would be ups and downs, easy days and hard days, great sales and no sales, fans and haters. But, we don’t choose our craft because it’ll be smooth sailing from start to finish. We choose our craft out of passion. No matter where we are – no matter who we are, whether writer or reader – let’s live with passion. It gives us a purpose, and it makes life so much more interesting.

 
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Posted by on August 3, 2017 in Others

 

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Is Genre Important?

I think we’ve all wondered, at some point during our creative journey, if genre is important. We question if fantasy sells better, if post-apocalyptic is hot this season, if memoirs win more awards, if our genre – the one we love and consider mastering – is worth pursuing. So, let me just clear this up today. This is a personal statement. I am in no way claiming my thoughts are based on a rule, and I’m speaking from my belief: personally, I don’t think genre is important. What brought me to this conclusion? Why – why I write.

Genre isn’t important, because I’m not trying to be the next bestseller. Now, I’m not saying it’s wrong to want to be the next bestseller. Heck, if that’s your goal, go for it – I’ll cheer you on! But, personally, my goal isn’t to write the next hit novel. I have no plans to craft what the majority of people want to read. My goal is to write what is meaningful to me and what I think is important to share. And if I end up being a bestseller along the way, that’s a bonus! If not, it makes no difference in my authoring career. I’m still going to write what I want to write.

Genre isn’t important, because I’m also not trying to win any awards or competitions. Again, if that’s your goal, please don’t take any offense at my personal statement. I know what type of a writer I am – far from literary and a fan of simplicity. And through my past experiences, writing for awards and competitions, I’ve found myself pretending. Well, it feels like it – it feels like I’m ditching my voice and writing to suit the preference of another. And I know… that’s not me. That’s not how I write. Though there’s nothing wrong with challenging myself and writing outside of the box, I don’t enjoy doing so for the sake of winning. Personally, it doesn’t feel right. And, well, it’s just not fun – it kind of feels like work.

Genre isn’t important, because it doesn’t fit my writing goals. But of course, the same cannot be said for you. Perhaps your goal is different. Or, perhaps, you’ve yet to find your genre.

If you’ve yet to find your genre, I encourage you to try them all. Play around with bildungsroman, attempt a crime (story), and dive into satire. Don’t limit your ability to be creative just because science fiction is gaining traction, or because zombie novels are adapted into movies. Find your genre by exploring them. But more importantly, know why you write.

Steven Furtick once said that if you have a strong ‘why’, the ‘what’ doesn’t matter. What genre you’re writing doesn’t matter if your why is the force behind it. So, if you’re questioning your choice, I encourage you to uncover the reason behind your passion. If your reason is to win awards, then write to win awards. If your reason is to be the next J.K Rowling, then write to become a bestseller. If your reason is to inspire, then don’t let anyone tell you to write otherwise. And if your reason is purely for entertainment – because you love writing – then don’t be ashamed, just write!

In the big picture, genre pales in importance. Yes, it’s a facet of writing. But, it doesn’t make a masterpiece. It’s the pastel in the background – the base on your canvas. The real art are the strokes on top – the story that stands out and makes a statement. Your story holds greater value – it is your artwork and skill that sells by the millions, not your chosen base colour. So don’t focus on the genre. A good story can be written in any setting, but a bad story finds no success even under a popular label. It is what you say that matters most. And you can’t say anything substantial without a solid why.

 
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Posted by on July 20, 2017 in Writing Journey

 

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3 Ways To Crush A Writer’s Block

Currently, I’m working on the second book of my trilogy. And as I’m trying my best to tie up book one and prepare for book three in this middle book, I find myself struggling to keep the story exciting. In fact, closing one adventure while prepping for another has never been this difficult. Of course, I knew writing a trilogy wasn’t going to be easy. A trilogy is a huge commitment and requires more layering than stand-alone novels. However, I didn’t expect to hit a block barely midway into the series. It’s frustrating. I’m tired. But I need to get it done! So to get past this stage, I’ve been practicing 3 things. Hopefully, these 3 things would help you too… should you be in a similar predicament. After all, stuck is the worst place any writer can be in.

#1 Vocalise Ideas

Personally, I find that voicing my ideas help me generate more ideas. The more I say them out loud, the easier it is to fix and improve them. Yes, I know how talking to myself makes me look. No, I’m not crazy. In fact, I voice my daily thoughts more frequently than I should. But off late, I’ve been internalizing my ideas. I’ve been keeping them boxed, that they’ve gone stale. Realising this, I decided to give them some fresh air – bouncing them off my room wall, behind closed doors. And lo and behold, a plot twist recently hit. So, if you’re not already monologuing, I suggest you give it a go. You never know what crazy idea would come your way, simply by acting a little mad.

#2 Dive Into Similar Works

Disclaimer: I’m not promoting plagiarism. You should never copy someone’s work. But, there’s nothing wrong with drawing inspiration from others.

As my trilogy is about a young king, set in a medieval world of magic, I’ve been diving into similar works of its genre. I’ve been watching countless historical dramas, to grasp palace politics while exposing myself to old world architecture. Because I cannot travel back in time and work as a palace maid, it’s impossible for me to write a story based on my experience. Hence, the only way for me to gain perspective is to embrace the works of others’.

I seek to be inspired by parallel worlds – to see it play out before my eyes, and to live vicariously through works of fiction. And not only do these stories oil the gears of my own, I’m left thoroughly entertained too.

#3 Run Head First

I’ve probably mentioned this before. Wait, I believe I’ve mentioned it before. But, I’ll say it again: to get a story moving is to write it. A story cannot write itself and it needs us to finish it. So despite the herculean block, shadowing us from the finish line, we have to charge forward. We have to crush that block by writing the most horrendous chapters. Yes, you’ll need to rewrite them. And yes, you’ll want to weep at the horror of your own words. Trust me, I know. But thankfully, those words have been written – you can go back and fix them, because they’ve been written. So run head first. Charge at the wall. It’ll hurt, but the pain is worth the finish line.

As I strive to complete my book this year, I hope you endeavour to finish your own projects too. We’re all on the same boat, navigating the rough waves. But no matter what comes our way, we’re the authors of our stories and we have the power to bring them to an end. No block is too big for an author to overcome. And knowing this, there’s no stopping us.

 
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Posted by on June 29, 2017 in Writing Journey

 

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The Perfect Timing

I believe in the perfect timing. And I encourage you to do the same.

In 2003, I began my writing adventure. I was thirteen, and a horrible writer. In 2011, I wrote my first novel. I launched my book on my 21st birthday, and never did/never will cover the cost of that project. In 2015, my first professionally published novel hit bookshelves. I thought it would change my life. But on a monumental level, it did not. Counting the years, it has been awhile since I started. But am I where I dreamt I’d be in the start? No. Will my time come? I believe so. When? I don’t know.

It’s easy to throw in the towel whenever dreams and goals don’t come to past. Why? Because we live in a world where everything is accessible with a snap of a finger. We’re accustomed to the promptness, that our patience has ebbed. And when we don’t see our dreams realising one year, two years, three years down the road, we call it quits. With the lack of patience, we give up on the most important things in life – we fail to realise, that the things that matter, don’t run with earth’s timeline. And with that ignorance, we move on… never achieving what we initially set out to achieve.

I’m no stranger to the thoughts of giving up. In high school, I loved writing. But because I didn’t win any short story competitions, I thought I wasn’t good enough. And yes, I wasn’t – I wasn’t good enough. So, I stopped writing stories and went into poetry. But if I kept writing – practicing and honing the craft – I could’ve been good enough, and perhaps be better than I am today. Due to the lack of immediate results, in an era of instant gratification, I questioned my passion. But thankfully, I decided to try again. And since then, I’ve learned to be patient – to trust in the perfect timing.

I know it’s scary to put faith in something we cannot see. Time is not physical, and the concept of the perfect timing could actually take decades to materialise. Heck, we might not even live to see its arrival. In this case, ignorance isn’t bliss. However, such ignorance holds the power of believe.

Passion is driven by believe – without believe, there’s no passion. But believe requires the metaphysics of time. It is of this world, but doesn’t abide by worldly laws of seconds, minutes, and hours. Hence believing in our dreams – constantly fanning our passion – can only be achieved by faith in the perfect timing, where dreams come to past and where lives are changed.

If you want to achieve your dreams, you have to believe – even if it takes years, even if you don’t see the results in your youth, even if it only presents itself generations later – there’s a perfect timing for everything. And as ignorant, laughable, and foolish as it may be – to have such a conviction – it is worth the lifetime.

 
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Posted by on June 1, 2017 in Writing Journey

 

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