Tag Archives: jeyna grace

Blind Faith [12 Genre Months]

“Are you one of them now?” I asked.

“You know me,” he replied.

“No, I don’t. Not anymore.”

Our pistols were drawn from their holsters–their muzzles aimed to kill. One of us would die today, and the other would live on with regret. If only he had listened to me. If only he had turned the offer down. I warned him that he would lose sight of himself. But, he was stubborn. He wanted the thrill. He found excitement in the dangers that entailed. And because of that–a selfish pursuit–another member on our team had to die.

“I’m not one of them,” he stated, holding an unfamiliar, placid mien–a sign that he had, indeed, changed.

“You’re not fooling anyone.”

“I’m telling you the truth.”

“Why did you join them?”

“I didn’t join them.”

“We know what’s going to happen tonight. So spare me the lies.”

He hesitated–his gaze shifted to the dust-laden cement floor. It was an involuntary reaction, one that occured within a split second–one I was trained to spot.

“Fine,” he said.

The world was deep in slumber. There were no witnesses in the abandoned warehouse, where we would soon bury our relationship and the truth that came with it. The secrets shared would remain within the peeling, crumbling walls. And the blood spilled would fade to a stain no one would question. But before I put the case to rest, I needed to know how and why.

“How did they change you?”

“They didn’t change me. I’m still me.”

“No, you’re different.”

I had known him for ten years. And though people do change, no change can drastically occur within three months. His unemotional, nonchalant approach in the face of death was alien. I was confident he wasn’t the man I knew. Amongst the others, he had never been able to master such courage. Despite his enthusiasm for death-defying missions, he couldn’t stare down an enemy without a flicker of fear in his eyes. But that night, he could. He could pull the trigger–murder the man who had saved his life countless times–without any hesitation.

“Think what you want,” he said. “But I’m still me–a better, un-corrupted version of me.”

“Is that why you joined them?”

“You would too, if only you saw the truth.”

“I don’t do cults.”

“We’re not a cult. We’re a movement–a resistance against your blind faith.”

“That’s what all cults call themselves–a movement, a resistance, playing gods over humanity.”

“It saddens me how you fail to see the light.”

“I’m sorry–I’ve yet to attain enlightenment.”

“You mock me now, but you’ll soon regret your words.”

Yes, regret. Regret that I would soon have to end the life of the man I once called brother. Or regret that I would soon die at his hands. But the latter wasn’t an option. This enemy was growing at an alarmingly rapid rate. Their recruitment efforts–whatever they were–were working. Two of our men had died in attempts to leave their premises, one went missing, and two openly lied about their stance–one of which I had to put down six months ago. Five elite soldiers, trained to face the worst of humanity, now lost in battle. So I clicked the hammer of my handgun.

“You’ll regret your actions,” I replied. Still, I hesitated.

There were only three of us left. If the remaining of us failed, it would be the end of the Delta team. Would Epsilon succeed after us? As my finger grazed the trigger, I shoved those doubts aside. I had to do my job, so I said a silent goodbye to another fallen member. And just before he put a bullet through my head, I put a bullet through his.

As his body fell limp to the ground, I heaved a sigh. I had to dispose of another body, but not before I made the call. They had to know. They were waiting. After two rings, the Master answered.

“Has he gone to meet with the Lord?” Master asked.

“Yes, Master.”

“Then let us pray that the Lord has mercy on him.”

“I will pray through the night, Master.”

“Will you be returning to the temple tomorrow?”

“I cannot–I’m afraid they are watching me.”

“Then stay safe and be vigilant, my son. Our Temple of Eternity will keep you in prayer, too.”

“Thank you, Master.”

“Blessed is the pure of heart.”

“Blessed is the pure of heart.”

At the click of the phone line, I heaved another sigh. Master would soon send another member of our team behind enemy lines. It wouldn’t be me–I was the only one who could restore order if one of our remaining men fell. But should they fail, my time would come. With enough prayer, I have faith I can withstand the lies of the enemy. After all, as Master said, I own the purest heart amongst them all.


12 Genre Months © 2018 by Jeyna Grace. All rights reserved.

(Click HERE for the list of stories in this writing challenge.)

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Posted by on March 22, 2018 in Original Works


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The One Time I’m Never Good Enough

The one time I’m never good enough… is when I write.

“But, you’re a writer,” you say.

Exactly. I’m a writer. Yet, I feel like I’m never good enough and never going to be good enough when I write. No matter what people say–no matter the reviews I receive–I find it difficult to believe their words. It’s not that I think they’re lying. It’s just that I can’t see what they see. Don’t get me wrong, I’m not saying this to fish for compliments. I don’t need compliments. More often than not, I have no idea how to respond and react to compliments. The only thing I can say is ‘thank you’. And though I might add a few exclamation marks and a heart emoji, I’m not actually jumping with joy. I might smile, but only for a while. Because the glimmer of hope, that I’m finally good enough, often vanishes within minutes.

Why is this? Shouldn’t I be proud of what I’ve accomplished? Shouldn’t I be confident with what I bring to the table?

No, I shouldn’t. In fact, I can’t. Because in this field, I will always be my own worst critic.

I know I cannot please everyone. I know I cannot produce flawless pieces of work. I know not all my ideas will be good. Yet, in every occasion, I wish I was better. And, I often tell myself that I can do better. But when I compare my work with the more established authors around me, I find myself falling short every time–as though I can never be good enough. And honestly, I don’t think I’ll ever be. Still, in the tug-of-war of finding the worth in my work, I do not stop writing.

It’s strange, isn’t it? Not all my stories will be worth reading. Not all my characters will be loved. Not all my worlds will be captivating. And, most certainly, not all my plots will be exciting. But… I’ll still write them. I will invest my time and money into my creations, well aware they’re flawed. It’s a risk I’m willing to take. Because the only time I’m good enough… is when I accept my abilities and my flaws.

Despite the imperfections and horrendous mistakes, I’ve learned to accept what I can do in every season of my life. Yes, I’m not good enough at writing–I’ll never be good enough in my lifetime–but I can do my best. I may not achieve great success, win awards, and have my works widely read, but I can strive to be better. I won’t see myself as a good writer–only decent at most–and I’m OK with that. Because being good enough isn’t reflected in my work–being good enough is loving myself and the shortcomings of being me.

So, if you’re like me and you feel you’ll never be good enough at your art, don’t beat yourself up. You’re already good enough when you’re chasing your dreams and working on your craft. It’s the perseverance that counts in life, not your popularity score. Even if you’re your own worst critic, you can still choose to be good enough at being you. We can always strive for perfection in our work, but we must also strive to love our imperfections too.

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Posted by on March 15, 2018 in Writing Journey


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Read The Slave Prince For… FREE!

Yes, you read that right–you can read The Slave Prince for FREE and BEFORE EVERYONE ELSE!

The Slave Prince–my latest novel–is set to launch on May 29, 2018. It will be in online bookstores, as well as physical shelves in the US and Canada. But before it becomes accessible to the general public, I’m creating a platform for you, as my blog reader, to read the book first.

As a pre-launch campaign, I’ll be sending 100 readers the digital advance reader copy of the novel. A digital advance reader copy, aka an ARC, is what it says it is–you will get to see the maps and read the story before the rest of the world. But, how do you become one of the 100 chosen readers? It’s simple.

I’ve created a google form, for you to request for the ARC. The first 100 people to complete the form will find the ARC in their inbox. Just like that, you have a free book! However, there are a few things to note.

As some of you may know, I am an indie author–Inkshares is my crowd-funded publisher. The Slave Prince received a full publishing contract after winning the Geek & Sundry Fantasy Contest in 2016, where over 300 readers banded together to pre-order the book. This means, that even though I have a publisher, I still have to play a part in marketing the book. Hence, an ARC and the readers chosen to read it are very, very, very, very, very important. VERY IMPORTANT.

By requesting for an ARC, you are saying ‘yes’ to lending me a hand. You will be using your word–an extremely powerful tool–to help The Slave Prince succeed. You’re not just reading another fantasy book, but you’re believing in me and what I have to offer. That is why I require a few things from you when you request for the ARC. What are they?

#1 READ it! Some people request for free things without actually getting to it. This stops others, who are genuinely interested, from having the opportunity to read my book. So please, read it. It’s a kinda cool story.

#2 SHARE it on social media. You may think that tweeting and Facebook posting about the book does nothing, because your friends don’t read or are into science fiction. But, I want you to know, your word as a reader has an impact. It is powerful, valuable, and influential–converting on the fence readers when they stumble upon the book later on.

#3 REVIEW it either on your blog, Goodreads, or Amazon–all platforms if possible–by May 29th. You don’t have to give it 5-stars. In fact, I don’t want 5-stars if you don’t think it deserves 5-stars. What I want is your honest review–let me know what you think, because your thoughts are important to me. By reviewing the book, I learn where I’ve fallen short and where I’ve succeeded. You’ll also help others discover my book too! And that, my dear reader, will help my novel greatly.

#4 SPREAD the word! Tell your family and friends about my book. Double post about it on your social media platforms. Rave about it if you truly like it. And, if you want to own a physical copy, buy it! Gift it! Help this nobody, Malaysian author, become somebody to someone out there.

What I’m asking may or may not be a lot–depending on what you perceive as ‘a lot’–but it affects the outcome of my novel. It determines its success. So if you want to play a role in making this novel known, by simply reading and sharing it, then fill up the request form now–be a micro-influencer today!




Release Date: May 29, 2018
Genre: Young Adult Fantasy
*Free worldwide delivery on Book Depository!

For fifteen years, Thom believed he was a prince of Alpenwhist. He had climbed the castle turrets to survey his kingdom, learned to duel with the sharpest blades, and stirred up palace intrigue in disguise. That is, until one day when his identity is suddenly shattered by the revelations of a blind woman: He learns that he isn’t a prince at all, but a wretched slave.

In a kingdom where ruthlessness is part of everyday life, Thom fears this new truth could be deadly. He takes flight, running from the life he knew and the one he despises, but the call to free his people beckons him home. Armed with a magic stone, which instructs him through surreal visions, he must topple his once beloved brother who has since become a tyrannical king.

A fantastical retelling of the story of Moses, Thom’s adventure forces him to question if he can succeed in his quest without truly understanding who he is. Because it seems he must unravel his past, present, and future before he can set his people free.


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Posted by on March 1, 2018 in Others


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No ‘Proper’ Post This Week — It’s The New Year!

This post has been scheduled in advance, since I’m not around to physically hit publish–as this goes up, I’m likely at my aunt’s place for my yearly family reunion dinner. But wait, isn’t the New Year on January first? Well, yes and no.

If you live in Asia, you might find yourself an extra holiday around January or February. Schools will be on a short break, while most companies close for a few days. After all, it’s the Lunar New Year!

The Lunar New Year is a tradition for East Asians. If you’re not married, you’ll follow your parents back to their hometowns to visit your relatives. You’ll also receive red packets containing money. There’s a reunion dinner, house visitations, and… a lot of sitting around and snacking on festive treats. So, with the excuse of being away, I’ve not written a proper post for today.

For those who’re celebrating the Lunar New Year, I hope you have a great time with your family. For those who’re on holiday because of it, I hope you also have a great time with your family. And for those who wished they had a break but don’t live in Asia, I’ll be back next week with what I hope to be an exciting post (if my schedule goes as plan). So until then, have a great week ahead!


Guess what? I’ll be posting excerpts of The Slave Prince on my Facebook and Twitter timeline leading up to its publication. If you’d like to sample what’s in store, follow me on these two platforms. But… if you’d like to get even more personal, I’m on Instagram! I don’t post much about writing on Instagram but focus more on my other two passions: travel and fitness.


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Posted by on February 15, 2018 in Others


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Square | Exhausted | Populate

We all have stories to tell–stories of adventure, love, grief, and misfortune. Stories that shape who we are and the decisions we make in life. In every galaxy–on every living and dying star–stories flood the cosmos. This is my story, on a planet I call home, Bevattna.

Bevattna nestles in the Andromeda galaxy. It doesn’t belong to any solar system–static amongst many others. It has four moons orbiting its cobalt blue surface. And yes, the blue you see sweeping across this planet, from your expensive telescope, is indeed water.

Bevattna is a beautiful place covered by a great ocean–so I’ve read. No one knows how our people were able to populate–how we even began civilization–but we do know we’re a thriving race. It’s amazing when you think about it–being supported by an air bubble system beneath our concrete, man-made surface. How did we come so far? But my story isn’t about my sun-kissed countrymen and the advancement of our technology. My story begins in a square room I live, eat, sleep, and breathe in–the room I’ve never left since birth.

This room is white–blinding white. The white walls reflect the single fluorescent lamp hanging two feet from the white ceiling. A white, rectangular table sits at a corner by the white door, accompanied by a white chair. A white bed frame, nailed to the white concrete floor, cradles a white mattress covered in white bed sheet. All is white, and the only other colour in the room is me–the absence of light. So, why am I here? I don’t know.

Every day–breakfast, lunch, and dinner–a hand, in a white glove, will slip through a flap at the bottom of the door. The flap locks immediately after I receive my food tray, often bearing the same meals daily–a sandwich and a glass of milk. What do people eat beyond these walls? I don’t know. It’s a wonder I’ve yet to find myself exhausted by the lack of variety. It’s odd, don’t you think–I have no complaints.

After my last meal, I find the highlight of my day. It’s the most anticipated hour because I get to leave this room. Three knocks will come from the door. The knocks are an order to face the opposing wall. Once I position myself, I’ll hear the click of the lock and the faint grind from the hinges of the door–you have to really listen. A series of footsteps will then make its way toward me–one, two, three, four, five, six, seven, eight–before a pair of hands slip a blindfold over my eyes. The same hands will guide me out of the room, along a pathway I imagine to flank more white walls, before I arrive in another white room. When the blindfold comes off, it looks like I’ve never left.

This room is white too, except that there’s nothing but minute–almost unnoticeable–holes in the walls, ceiling, and floor. I can’t remember who taught me this, but in this room I’ll remove my white gown and place it over a hook on the door. Then, the hissing begins. Two seconds after, a burst of water escapes the holes–first clear, then foamy, then clear again. This room provides me my daily bath and dries me with a blast of warm air. It sounds fun, doesn’t it? But that’s not the reason why I’m telling you this. My story, up till today, has always been the same. Day in, day out, I write the same words on a blank piece of paper. But today, my story changes. Because today, when there was supposed to be three knocks, there was none. Instead, I heard the click of the lock.

All I’ve done since is write and wait. I’ve been waiting for my bath. I’ve been waiting for the person to arrive. I’m not sure if he or she is late. I don’t know what happened and why the schedule changed. I’m contemplating about going to sleep. But will the light turn off at the same time today? Will I receive my meals tomorrow? Something isn’t right and I don’t know what to do about it. Is this where my story ends, or is this where it starts over?

I’ve considered leaving this room, but I’m afraid the walls outside won’t be white. What if they’re black? That’s not how I’ve imagined them to be and it scares me. I’m not sure why I’m scared to leave. I only have one piece of paper and a pencil that is now blunt–I cannot write a list of why I think I’m scared. The only thing I can do, once this page is filled, is wonder and wait.

Perhaps if the light don’t turn off tonight, I’ll peek outside. Maybe if the meals don’t arrive tomorrow, I’ll leave this room. If you–whoever you are–are reading this, without me by your side, it means I’ve started a new story. But if you find me with this paper, clutched to my chest… well, my story–amongst a great many others–is over.


Square, exhausted, and populate were words given by Matthew Lok on Facebook. Like a majority of my 3 Words 1 Story pieces, I started with no idea where the story is heading–forcing me to leave the dull white walls I often find comfort within. Though I’m not sure how well a story as such will sit with you, I can hope some find it enjoyable… or, at the very least, intriguing.

Now, it’s your turn! You have until the end of February to write a story of your own with the three words given. If you choose to take on this challenge, be sure to link your work in the comment section below!

*To download the banner, left-click then right-click to save.

3 Words, 1 Story © 2018 by Jeyna Grace. All rights reserved.

(Click HERE for a list of stories in this writing challenge.)


Posted by on February 8, 2018 in Original Works


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Mapping My Universe ft. John Robin

One of the most enjoyable phases, during the production of The Slave Prince, was having two maps cartograph-ed by my author friend, John Robin. Now, if you’re an author, having your fictional world realised on paper is an amazing feeling. It takes the publishing experience to a whole new, fantastical level. It makes your work feel legit, as though it’s ready to play with the big boys! So truly, I am very grateful for the work John has done. And today, I’m giving him the spotlight.

Having worked with him, I believe John can give great insight on world building from a writer/cartographer standpoint. As a writer himself – authoring A Thousand Roads – he is able to approach this facet of ‘creation’ from a unique perspective. So whether you’re a writer, an artist, both, or neither, what he has to say will certainly make an interesting read. But… before we get to the Q&A, let’s take a look at what he has done for the realm of The Slave Prince.

*Click image to enlarge*


Me: So John, let’s start with how you begin mapping a universe?

John: This is actually the hardest part for me. I always need a starting point. Usually, when it is my own world, I will begin one map by expanding another, or drawing beyond the boundaries of others where I have been curious about what lay beyond them. I just need a starting point, then my pen tells me where to go.

I find it much easier to draw someone else’s fantasy universe because I can always ask for a sketch. In your case, with The Slave Prince, the two sketches you provided me were excellent because I was able to begin translating your vision into something produced by my own hand.

Me: Do you incorporate your own imagination into the maps?

John: Absolutely. Most of the flourishes that end up in the final map are discoveries that happen in the process of doing. For instance, the forest south of Alpenwhist on the kingdom map wasn’t in the plan, but our work developing the world map beforehand reminded me there are woods south of Alpenwhist. So, I drew the woods. I didn’t expect there to be so many details in the forest, but the process of drawing revealed surprises, as it always does for me when trees are involved.

I cannot explain how this happens. It’s a bit like writing a book I suppose: one might see many plot points, but there are the surprises that come a few paragraphs from when you write them, and they radically change the story. Aragorn in Lord of the Rings was a character like this, apparently – just walked into the story, but what an important player to the whole trilogy! This is much like how I’d describe my imagination at play when I draw a map. Be it my universe or someone else’s, the map is a drawing and it has a life and a story, much like a book. The lines are the storytellers, and I am their obedient scribe.

Me: What do you find challenging in each project?

John: The hardest part for me is usually the final touches, especially the labeling. I prefer to write my own labels in a styled script by hand, but as I learned in our work together, these don’t translate well in a smaller map on page. I learned a lot about incorporating fonts and spaces in Photoshop after the drawing was complete. However, I do want to develop my own fonts based on my handwritten letters for future. It was liberating working on the second map (Alpenwhist kingdom map) knowing I could draw it without placing any labels. In the case of the world map, which I drew first, I wrote in all the labels by hand, then had to meticulously erase every one to replace them with a font. The advantage of this was that the space for the label was created. What this taught me was to leave space for labels on future maps, and hopefully begin my own carefully crafted letters for future use.

Me: What do you enjoy about cartography?

John: Drawing a map tells me the story of a world. Seeing how mountains span, rivers bend, forests arise, coast lines bend and shape, lakes appear on empty page, islands dot the seas – all these things tell me a story. Not just in the shapes. Often I will see a stand of trees and know it has an important history or should have a name. Or, I will label a territory and the story behind it comes to mind just in how the name sounds once I write it down. Drawing maps is what, for me, makes a fantasy world feel truly alive. In fact, when I go to the fantasy section and look for new fantasy books, it’s the maps that I turn to right away and tell me whether I want to enter this new world or not. It was, after all, the map of Wilderland in The Hobbit, on my grandmother’s bookshelf, that I would flip to many nights before I knew how to read, that eventually pulled me to fantasy and my own map-making.

Me: Does cartography help you in your own writing endeavours?

John: Yes! There is a storytelling that augments the narrative form I experience when writing. It sharpens world-building in ways that listing details alone would not do. In a way, drawing a map is a third level of engaging with a fantasy world beyond writing and world-building. A bit like M.C. Escher’s drawing hands, one feeds the other, and the other feeds it, and it circles on and on into deeper levels of imagination.


What did I say – it takes someone who can channel both of his amazing gifts to be able to build worlds from a unique perspective. I’ve found myself trusting John in the decisions he has made for my world and I have no regrets. Thanks again John, for playing such an important role in the production of The Slave Prince! You the man!

I hope this post has given you some insight on cartography and how it can build a fantasy world. I’ve learned a lot from working with John, and I’ve learned some more just from this ‘interview’. If you’d like to know more about John and his works, take a peek below! I’ve included some extras for those who’d like to give this man and his talent a chance.



John runs a blog at TheEpicFantasyWriter. He’s also the senior editor of Story Perfect Editing Services and founder of Dreamscape Cover DesignsIf you’d like to get in-touch with John on social media, he’s on Twitter and Facebook!

A Thousand Roads 

Release Date: October 31, 2018 (eBook) / January 19, 2019 (Paperback)
Genre: Dark epic fantasy

Disclaimer: this novel is intended for adult readers. It contains sex, violence, coarse language, and dark subject matter.

Azzadul, the god-king, the Lord of Light revered by many. When the darkness corrupted him, he became the Dark Lord, feared the world over. His magic, once a gateway to immortality for his people, delved instead into horrors as he sought ever deeper levels of mastery. Children were stolen from their beds, coveted for his blood-rites. When he vanished, it all ended, and the people of the world tried to forget, to move on…

Jak Fuller has always wanted a home. An orphan born ten years after Azzadul’s disappearance, he has wandered far and wide, trying to forget the memory of a burning woman. When he comes to Fort Lasthall, on the outskirts of the Dark Lord’s former kingdom, he hopes to finally settle into a peaceful life. Instead, he finds himself unnaturally compelled by a dark, terrible voice, a voice that knows him, calls to him. A sense of destiny that fills him with fear.

New powers are rising in the dark places of the world. A master of fire-rites called Talamus the Red, arch-foe of Azzadul, seeks to enslave the world with a magic he has been developing for the many centuries of his life. Ready at last, there is only one weakness in his plan, an obstacle he is determined to destroy: a boy, bound to an old magic that just might resurrect the power of Azzadul.

The very power bound to Jak, before he was even born…


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Posted by on February 1, 2018 in Writing Journey


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Cave of Dreams [12 Genre Months]

It began with a curse, passed down from one generation onto the next–a curse many of his ancestors called a gift. Yet, in the mind of this boy king, he was condemned–condemned by the boy in the mirror. For unlike his father and the kings who ruled before him, he loathed his reflection.

What he saw, even in his human state, was a beast. His deep-set eyes hung tired from the fear of death. His youthful grin lost in the kingdoms he had conquered. His sword-wielding arm stained by the blood of his enemies. Never was he just a boy–always, he was a monster hungry for the next victory, the next throne, the next war. What a miracle it would be, if he stopped swinging blades for a day. And, a miracle it was.

“This will be my last battle,” he said.

Sheathing his double-edged sword, he strolled to his steed with his royal army behind him.

“This will ruin your empire,” his advisor replied. “This will ruin you, your majesty.”

“I’m already ruined.”

“You are more victorious than the kings before you. And, you can do so much more.”

“This isn’t me. Before I lose myself again, I must do this.”

During the battle at Vita, while his men pillaged the kingdom, he heard of the Cave of Dreams. Some of the citizens of Vita had braved the beast within in order to flee the war. Alas, no one knew what became of the courageous few. But as Vita crumbled to ashes, the folklore reached his ears–what seemed like a myth was hope.

“Your majesty-”

“I am a monster. I have no control over this body and what it becomes.”

“You are a warrior–a king–not a monster. What will our kingdom become if this beast takes your gift?”

“Gift?” He chuckled.

Arguing with any of the men in his royal court was a futile endeavour. They were the first to reap the harvest of war and would say anything to stop him. Deciding he had wasted enough time with the pointless debate, he excused his advisor and mounted his horse. Reining his stallion East, the journey began.

The Cave of Dreams nestled within the Eastern volcanic range, by the foot of the tallest mountain in the snow-capped massif. From the ruins of Vita, he rode through the pine-dense timberland, crossed pebble-shored rivers, edged around slippery cliffs, before reaching the valleys of the mounts. The tallest of the mounts rose at the head of the range–the colossal grey rock was both daunting and magnificent. But unlike its siblings lined behind it–all birthed from the same phenomenon–it homed the gift only bestowed upon the first born: the cave.

From above the valley, the cave was invisible to the human eye. But as the entourage descended into the first basin, stirring with a bone-chilling breeze, the cave made its presence known. Its mouth, as wide as his kingdom’s iron gate, opened to an unwelcoming darkness. No sound escaped its cracking lip. Nothing living grew within. If he was a common boy, who had never faced death, he would’ve rode by without hesitation. Unfortunately, he was a king–owning a list of enemies before he even became a man.

Dismounting his steed, he strode to the mouth of the cave. But as his men lit their torches, ready to go before him, he had the strangest thought. It wasn’t his own–or at least, it didn’t feel like his own.

Taking a blazing torch, he said, “I’m going alone.” The captain of his army parted his lips, but before the soldier could insist, he repeated, “I’m going alone.”

His men knew not to challenge him. Retreating to their horses–possibly wondering if his nine year-old brother could fill his shoes should he never return–he turned his back toward them. Then, with determination to break the curse, he pushed forward.

He had no fear. He had seen darkness far more consuming than the one before him. He had swam in silence far more lifeless than the hollow engulfing him. He lost his soul at the age of twelve, when the weight of the crown was placed upon his fragile shoulders. And though he had feared death for the past three years, he didn’t fear it anymore. With each step he took, he set his eyes on salvation. But, how many steps were there? The walk down the burrow felt like an endless journey. The entrance of the cave had long vanished–only blackness surrounded him. When he finally spoke, as a question to himself, he found the answer.

“When does this end?” he murmured.

“It ends… when you want it to end,” a deep voice echoed.

“Are you the beast?” he asked the disembodied voice.     

“I am… what you want me to be.”

“Then grant me a wish, as the people say you will do.”

“What do you wish for?”

“I wish to be human.”

“Human? You look human.”

“I am not. There’s a curse upon my family–the men who wear the crown become monsters on the battlefield.”

“Then… take off the crown.”

“I can’t–I will only be passing the curse to my brother.”

“I will grant your wish, if you take off the crown.”

“You will break the curse?”


“Very well.”

Without contemplation, he lifted the gold, ruby-encrusted crown off his head and placed it on the uneven ground.

“Good. Now,” the voice said, “wake up.”

He opened his eyes. The bright light, streaming through the window of his doctor’s office, blinded him for a second.

“How do you feel?” his doctor asked.

“I don’t know,” he replied, blinking his eyes into focus. “Am I supposed to be a different person?”

“Hypnotherapy doesn’t reflect immediately after a session. Let’s see how your week goes before we give it another try.”

“Sure. I can do that.”

His doctor grinned, before swiftly scribbling on a page in a leather-bound book.

“What are you writing?” he asked.

“You said, you can do that.”

“Is that… odd?”

His doctor merely smiled. “I’ll see you next week. Same time?”

“Sure, doc. I can do that too.”


12 Genre Months © 2018 by Jeyna Grace. All rights reserved.

(Click HERE for the list of stories in this writing challenge.)


Posted by on January 25, 2018 in Original Works


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